Dandelion Wine

by Molly on 20 July 2009

I owe KPCC’s John Rabe a debt of thanks this week – in part for publishing this blog.

I’m reviewing the KindleDX for CyberFrequencies. Adrift in the sea of Amazon’s Kindle store, I Tweeted for help. The float John tossed me was Ray Bradbury’s Dandelion Wine. Queena Kim (Off-Ramp and CF producer) tells me he re-reads it every year. (I approve wholeheartedly of re-reading things every year; mine is Harriet the Spy, Hamlet, The Odyssey, Julian Barnes’ A History of the World in 10½ Chapters, and Gatsby. Rereading helps me mark my own changes. You should try it, too.)

Anyway, I hadn’t read Dandelion Wine in a dozen years, a dozen and a half.

I *do*remember balefully looking out my suburban window and wishing it were a cupola, once I looked that word up, and wishing the world would do what I told it to, like Douglas Spaulding. I’ve never forgotten Mr. Sanderson and the Royal Crown Cream-Sponge Para Litefoot Tennis Shoes. But it was Off-Ramp, and Rabe, who taught me to claim Ray Bradbury for Los Angeles. (I’m getting an education in the library here, like Bradbury did, though far less diligently, and probably with more late fees.) And it is in Los Angeles, this year, that I did a story about TreePeople’s demonstration cistern, and the idea that people should have rain barrels. So this passage struck a different chord this time ’round:

“Ready now, the rain barrel!”

Nothing else in the world would do but the pure waters which had been summoned from the lakes far away and the sweet fields of grassy dew on early morning, lifted to the open sky, carried in laundered clusters nine hundred miles, brushed with wind, electrified with high voltage, and condensed upon cool air. This water, falling, raining, gathered yet more of the heavens in its crystals. Taking something of the east wind and the west wind and the north wind and the south, the water made rain and the rain, within this hour of rituals, would be well on its way to wine.

Douglas ran with the dipper. He plunged it deep in the rain barrel. “Here we go!”

The water was silk in the cup; clear, faintly blue silk. It softened the lip and the throat and the heart, if drunk. This water must be carried in dipper and bucket to the cellar, there to be leavened in freshets, in mountain streams, upon the dandelion harvest.

I wondered, as I read it, what else would fall from the sky now in Los Angeles. Our rain picks up nitrogen oxide and sulfur dioxide before making its way into the barrels (and I’ll be visiting some barrels in Mar Vista later this month, I hope). Those nasty gases are in the atmosphere courtesy my car, and yours, and other polluters regulated by the South Coast Air Quality Management District. I’m conscious of that now in a way I wasn’t last time. Does it wreck the book? Nope. Bradbury’s vivid writing lets me imagine my way into the skies, where the east wind and the west wind and the north and south give something to the blue-silk water that will be leavened in freshets (a wonderful word, freshets). And my imagination gives life to that water; makes it true, if only for an instant, if only in my mind. But something that feels that true, that way, might become true, for more than a minute, another way. Maybe that’s why Dandelion Wine seems less sad, this time. (And dandelion wine seems more drinkable.) Maybe this is how I’m different THIS rereading.

I’ve got no cream-sponge tennis shoes. But as I thought about rain barrels, and Los Angeles, and Bradbury, my feet rocked back and forth in my sandals.

“Tom…does everyone in the world…know he’s alive?” “Sure. Heck, yes!” The leopards trotted soundlessly off through darker lands where eyeballs could not turn to follow. “I hope they do,” whispered Douglas. “Oh I sure hope they know.”

So: thanks Rabe. And, Ray B.

{ 1 comment… read it below or add one }

Molly, the other December 9, 2009 at 12:15 am

No comments? I have to comment. I re-read Pride and Prejudice, not necessarily every year — but every few months. I also re-watch the 6 hour version with Colin Firth. I’m not sure that re-reading Jane Austen makes me realize how I have changed, but it does make me feel comforted. There is no pressure to read linearly (front to back) because I already know what happens. I can just enjoy the prose and skip around to the parts I like. That’s why I re-read, and reconnect with books/old friends ;-)

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